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My Mind Was a Mirror

by Terry Champlin

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1.
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Lullaby 05:52
for Helen Time runs in place, too fast to see or know like the moon reflecting off the tide It lives in a sacred space, where the echoes go and the horsemen of the sunset ride There is a pattern to the leaves, to the birds that fly; an arrow running through the stars, not seen by you or I The wind whistles, or does it cry? Lullaby, lullaby. The roads diverge like you and I, like friends when time is spent leaving in between a ghost filled world. Across the gulf we can still hear a call both clear and distant it is there our best songs and poems are heard. It is there, across this distance our greatest songs are sung; it’s from the echoes of these valleys that our truest visions come. The wind whistles, or does it cry? Lullaby, lullaby. The years trudge on, the sages say, or the sun would stop and fade away the stars would get confused and die; Lullaby, lullaby. The day we first held something near was the day that we could lose it, like the moment that we live in or the touch that we feel. The moment waits for all of us if we have the strength to choose it, or the courage to make it real. Anything worth having has the power to break your heart; it’s taking hold of it anyway that sets us all apart. The wind whistles, or does it cry? Lullaby, lullaby.
3.
Train Song 02:59
Speaking French by Carolyn Dewald On a train once when I was eighteen and it was an even race between my hair and my hemline I met an older woman with a lived-in face and a cigarillo. We watched the sun set over Arles. Staring at my knees she said: no cherry tree in insolent bloom can understand the hot dry summer to come or the fruit that the birds will peck once and then leave hanging. and I may have misunderstood or made some of it up out of desire for a story to match the voice and the face
4.
by Carolyn Dewald Driving back last week leaving you four states and two large deserts away I did not start to cry until I came to the sign dividing east from west. Water now for you runs east; you are very far away, doing things that I have never done with people I will never meet. But something like the pull of the moon on the spring tide binds us. My arms know how your shoulders feel, how the long bones move in their sockets, how you throw your head back when you laugh, the drawl with which you speak French, how your fingers fold around mine. If the ground beneath could speak to the young birch lovely in its white bark and new spring leaves, what on earth would it say?
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City Song 02:58
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Fantasia 03:03
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Allegro 02:28
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Aria 04:53
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about

includes:

My Mind was a Mirror
for voice, 2 guitars and violin with percussion
poems by Edgar Lee Masters ( from Spoon River Anthology )

Lullaby
for voice, 3 guitars, violin and percussion

To Match the Voice and the Face
for voice, violin and 3 guitars with percussion
poems by Carolyn Dewald and Tony Wright

Love Song and Variations
for violin and guitar with percussion

The Harp of David
for guitar qurtet

A Prayer on going into my House
for voice and guitar with organ and bass
poem by W. B. Yeats

credits

released January 31, 2012

featuring:
Helen Avakian, voice and guitar
Sabina Torosjan, violin
Jeff Haynes, percussion
Terry Champlin, guitar
Dan Lewis, guitar
Vilian Ivantchev, guitar
Chris Funke, guitar
Victor Main, guitar
Scott Petito, additional guitar, additional percussion, organ and bass

album art by Kenan Rubenstein.

license

all rights reserved

tags

about

Terry Champlin Pleasant Valley, New York

Originally educated as a theoretical physicist at MIT, Terry switched to music at the age of 21. His music has been performed around the world by such artists as Evangelos and Liza, David Starobin, and The Woodstock Chamber Orchestra. He has performed at Carnegie Hall and Avery Fischer Hall.

Terry is on the faculties of Vassar College and the Mannes College of Music.
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